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Frame enlargement: Silent Era image collection.
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Jack and the Beanstalk
(1902) United States of America
B&W : [?] 400 or 625? feet
Directed by Edwin S. Porter
Cast: Thomas White [Jack]
Edison Manufacturing Company production; distributed by Edison Manufacturing Company. / From the folk tale “Jack and the Beanstalk.” Production assistant, Arthur White. Set design by George S. Fleming. Cinematography by Edwin S. Porter and Arthur White. / © 20 June 1902 by Thomas A. Edison [H19221]. © 2 May 1903 by Sigmund Lubin [H31329]. Released 15 July 1902. / Standard 35mm spherical 1.33:1 format. / Actor Thomas White was the son of Edison cameraman Arthur White. This production of the popular fairy tale features elaborate sets, dissolves, stop-camera and projected stills to indicate thoughts. Some prints were hand-colored. Lubin Manufacturing Company illegally duplicated, copyrighted(!) and distributed the film in the USA in 1903. AFI-F1 n. F1.2253 mistakenly lists the release year as 1904; Website-IMDb mistakenly lists the release year as 1907.
Drama: Fantasy.
Synopsis: [From Edison promotional materials] A grand spectacular performance in nine scenes and one tableau, illustrating the most popular fairy story ever written. When selecting a special film as a headline attraction to your entertainment REMEMBER that this fairy story is known to every child throughout the civilized world. It has been printed in every language, read in every nursery and appeals to every man and woman, because they remember it as one of the most pleasant illusions of their childhood. From this very simple and popular fairy tale we have produced a most pleasing, interesting and mirth producing play in motion pictures, introducing therein many surprising new tricks and dissolving effects. The subject was carefully studied, and every scene posed with a view to following as closely as possible the accepted version of JACK AND THE BEANSTALK. We have, for the purpose of producing comedy (which in reality is the life of any animated picture play), in some instances departed slightly from the story, in that we have burlesqued a few of the features; as, for instance, where the butcher trades the hatful of beans with Jack for his mother’s cow, we have introduced a burlesque animal made up of two men covered over with the head, horns and hide of a cow. This animal goes through many ludicrous antics, such as kicking, jig dancing, sitting down with legs crossed, etc., and finally, after strenuous efforts on the part of the butcher, suffers herself to be led away. JACK AND THE BEANSTALK offers great opportunity for coloring effects. The price for coloring the film complete, including background, figures and all details, $140. The price for coloring the figures only and tinting the beanstalk is $85. SCENE 1. — TRADING THE COW. Jack’s mother, being very poor, has dispatched him to the market to sell her only cow that they may not starve. The good fairy meets the village butcher at the bridge and informs him that Jack will pass that way with a cow which he can doubtless purchase for a hatful of beans, Jack being a very careless and foolish lad. The fairy vanishes, and Jack appears upon the scene leading the cow. The bargain is struck, and Jack runs away to show his mother what he considers a very gratifying price for their beautiful animal. SCENE 2. — JACK RETURNS WITH THE BEANS. Shows Jack’s return to his mother's cottage, bringing the beans in his hat, and showing them to her in great glee, his mother’s disappointment and scolding, which ends in Jack being sent to bed, and the mother throwing the beans in the garden in great anger. SCENE 3. — GROWING OF THE BEANSTALK. A night scene in the garden, with beautiful moonlight and cloud effects. The good fairy appears, and waving her magic wand, commands the beanstalk to grow; and, lo and behold, from the hatful of beans that has been so ruthlessly thrown into the garden, a beanstalk of great size is seen to grow in a few moments, and to climb up the cliff above the clouds. SCENE 4. — JACK’S DREAM. Showing the interior of Jack’s bedroom, with the moonlight streaming through the window. The good fairy appears and stands beside Jack's cot directing his dream. Jack dreams of the growing beanstalk and the award that awaits him who dares to climb it. Next he sees a vision of the Horn of Plenty, bags of the giant’s gold and the talking harp, which dances before him in a weird manner. One by one these articles appear and disappear in the picture, coming as if from the dim distance, and as quickly and silently fading away. The climax of this scene is reached when the hen which lays the golden eggs walks into Jack’s chamber. An egg is left on the floor, which suddenly grows to an enormous size, breaks in two, and there appears in its centre Jack’s little fairy, who is afterward to make him happy for life. SCENE 5. — CLIMBING THE BEANSTALK. Jack awakes in the early morning, and looking out from his window, finds the enormous beanstalk which has grown above the clouds. Remembering his dream of the night before, he believes he can climb it with ease; but also remembering his mother’s scolding for trading the cow for the beans, he is prompted to be cautious, and concludes to consult his mother. She protests vigorously against his climbing the beanstalk, but Jack sending her into the house on a pretext, starts up the beanstalk without her knowledge. The mother returns and is frantic when she finds Jack has gone up beyond her reach. She scolds and commands him to return, but the dauntless boy only laughs and continues to climb. His playmates, who are calling for Jack on their way to school, witness Jack’s start on his perilous journey, and joining hands, they dance about the beanstalk in great numbers, cheering and waving their hats at the brave boy. SCENE 6. — JACK ABOVE THE CLOUDS. We dissolve the view and show Jack two-thirds up the beanstalk, far above the clouds, with his mother’s cottage and the hilltops a great distance below him. He is still tirelessly climbing his ladder of bean vines, and pauses as he reaches a dizzy height to wave his hat to his playmates and mother. SCENE 7. — ARRIVAL AT THE TOP OF THE BEANSTALK. Jack arrives at the top of the beanstalk in what appears to be a fairyland. He is very tired and sleepy and lays down in a bed of moss to rest. He soon falls asleep, and his good fairy again appears and tells Jack the story of the giant, who, many years ago, killed and robbed his father (who was a knight residing in a castle), and drove his mother from their home. She then causes a vision of the giant’s castle to appear before Jack, and commands him to go to the giant’s house where great fortunes await him. Jack’s enthusiasm is fired by the story of his father’s wrongs, and he immediately sets out to obey the commands of the fairy. SCENE 8. — THE GIANT’S KITCHEN. Shows Jack’s arrival at the giant’s house, and being admitted to the kitchen by the giant’s wife. The giant suddenly enters, and in great fear lest he kill and eat the little boy, the good wife hides Jack in a large kettle. The giant comes in and roughly demands his supper, then his harp, bags of gold and the hen which lays the golden eggs. He finally falls asleep from the playing of the harp. Jack creeps from his hiding place in the kettle and steals the hen and as many of the bags of gold as he can carry away. Just as he leaves the kitchen door the giant awakens, and, seizing his great cudgel, chases our little hero, who is now thoroughly frightened. SCENE 9. — JACK DESCENDING THE BEANSTALK AND DEATH OF THE GIANT. The chase to the beanstalk has been very close, but Jack reaches it a little ahead of the giant. He throws the bags of gold down into his mother’s garden and quickly scrambles down with the precious hen hanging over his shoulder. Reaching the ground first, he hastily commands his mother to bring him the ax, and vigorously chops at the beanstalk until it falls in a heap, bringing the giant to the ground with a mighty crash, breaking his neck and instantly killing him. Here the good fairy again appears and informs Jack that he has acted like a brave knight’s son and that he deserves to have his inheritance restored to him. She waves her magic wand, and lo! Jack’s costume is changed from that of a peasant to a young knight, and his mother is likewise transformed from a peasant woman to a lady. CLOSING TABLEAU. A most beautiful scene, showing Jack and his mother seated in the fairy’s boat, which is drawn by three beautiful swans, proceeding on their way to the castle which is to be their future home. The good fairy is seen to be flying through the air, guiding Jack and his mother on their way. In introducing this novel tableau, giving as it were an entirely new version to the ending of the story, we believe we are adding a feature which will be most pleasing to every child who witnesses the performance. It is certainly most gratifying and comprehensive, and will at once be recognized as the beginning of the journey to the castle which, in accordance with the good fairy's promise of the reward to him who dares to climb the beanstalk, she is restoring to Jack and his mother. NOTE. — In this beautiful production, in changing from one scene to the other, transformations are made by beautiful dissolving and fading effects. There are no sudden jumps whatever, and the entire effect is at once pleasing, gratifying and comprehensive, and the audience finds itself following with ease the thread of the most wonderful of all fairy tales, JACK AND THE BEANSTALK. / A grand spectacular performance in nine scenes and one tableau, illustrating the most popular fairy story ever written. When selecting a special film as a headline attraction to your entertainment REMEMBER that this fairy story is known to every child throughout the civilized world. It has been printed in every language, read in every nursery and appeals to every man and woman, because they remember it as one of the most pleasant illusions of their childhood. From this very simple and popular fairy tale we have produced a most pleasing, interesting and mirth producing play in motion pictures, introducing therein many surprising new tricks and dissolving effects. The subject was carefully studied, and every scene posed with a view to following as closely as possible the accepted version of JACK AND THE BEANSTALK. We have, for the purpose of producing comedy (which in reality is the life of any animated picture play), in some instances departed slightly from the story, in that we have burlesqued a few of the features; as, for instance, where the butcher trades the hatful of beans with Jack for his mother's cow, we have introduced a burlesque animal made up of two men covered over with the head, horns and hide of a cow. This animal goes through many ludicrous antics, such as kicking, jig dancing, sitting down with legs crossed, etc., and finally, after strenuous efforts on the part of the butcher, suffers herself to be led away. JACK AND THE BEANSTALK offers great opportunity for coloring effects. The price for coloring the film complete, including background, figures and all details, $140. The price for coloring the figures only and tinting the beanstalk is $85.
Survival status: Print exists in the Library of Congress film archive (paper print collection) [35mm paper positive].
Current rights holder: Public domain [USA].
Keywords: Animals: Cows - Axes - Birds: Chickens - Boats - Children - Death - Dreams - Eggs - Fairies - Kitchens - Magic - Money - Moons - Musical instruments: Harps - Trick films - Visions - Water - Waterfalls - Water wheels
Listing updated: 15 April 2024.
References: Film viewing : AFI-F1 n. F1.2253; Everson-American p. 36; Fell-History pp. 47, 50; Niver-Early p. 165; Niver-First pp. 26-28, 34, 82; Robinson-Palace pp. 79, 80; Slide-Early p. 8 : Website-AFI; Website-IMDb.
Home video: DVD.
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