A collection of news and information pertaining to silent era films.
Copyright © 1999-2024 by Carl Bennett and the Silent Era Company.
All Rights Reserved.
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The Top 100 Silent Era Films
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Buster Keaton in The General (1926).
Photograph: Silent Era image collection.
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What are the 100 best silent era films? We couldn’t help asking that question, because we love silent films and because we are insatiable list makers. However, an effort to produce a definitive list is hampered considerably by the fact that most of the films made in the silent era have been lost to decomposition and willing destruction. It is our opinion, however, that most of the truly great films have survived due to their timeless popularity and enduring value.
While all lists that intend to empirically state the ranked value of motion pictures are ultimately indefensible flummery, we nonetheles recklessly offer the following list as a guide to whose who are discovering the pleasures of the silent film era.
The list is not limited to features exclusively. There are several short silent film masterpieces, and they are considered equally with feature films. And while our definition of the silent cinema timeline usually spans from about 1891 to 1929, we accept votes for later true silents like City Lights (1931) or Japanese and Chinese silent films from the early 1930s, for example. (We firmly judge Modern Times [1936] to be a mute sound film.) Films receiving votes must still exist somewhere and in some viewable form. Without surviving prints there is no way to validate the true value of a film, and no lost film can fairly be included on the list based solely on its reputation. We limit the list to films that were produced to be silent films exclusively (synchronized music tracks are acceptible, but part-talkies and talkies that have only survived as silents are out).
Very few of the films on this list are unavailable to be viewed on home video. Because of home video, more people have an opportunity to enjoy these silent masterpieces and can make informed judgments on each film’s historic and aesthetic value.
We would like to thank the people who took a few moments to vote for their favorite silent era films over the past years, you are the ones who make this project work through your involvement.
Rank |
Title |
Year |
Director |
Country of Production |
1. |
The General |
1926 |
Buster Keaton and
Clyde Bruckman |
USA |
2. |
Metropolis |
1927 |
Fritz Lang |
Germany |
3. |
Sunrise |
1927 |
F.W. Murnau |
USA |
4. |
City Lights |
1931 |
Charles Chaplin |
USA |
5. |
Nosferatu |
1922 |
F.W. Murnau |
Germany |
6. |
The Gold Rush |
1925 |
Charles Chaplin |
USA |
7. |
La Passion et la mort
de Jeanne d’Arc
[The Passion of Joan of Arc] |
1928 |
Carl Theodor Dreyer |
France |
8. |
Das Cabinet des Dr. Caligari
[The Cabinet of Dr. Caligari] |
1920 |
Robert Wiene |
Germany |
9. |
Bronenosets ‘Potyomkin’
[The Battleship Potemkin] |
1925 |
Sergei M. Eisenstein |
USSR |
10. |
Greed |
1924 |
Erich von Stroheim |
USA |
11. |
Die Büchse der Pandora
[Pandora’s Box] |
1929 |
G.W. Pabst |
Germany |
12. |
The Crowd |
1928 |
King Vidor |
USA |
13. |
The Wind |
1928 |
Victor Sjöström |
USA |
14. |
Napoléon |
1927 |
Abel Gance |
France |
15. |
The Birth of a Nation |
1915 |
D.W. Griffith |
USA |
16. |
Intolerance |
1916 |
D.W. Griffith |
USA |
17. |
Sherlock, Jr. |
1924 |
Buster Keaton |
USA |
18. |
The Big Parade |
1925 |
King Vidor |
USA |
19. |
Safety Last |
1923 |
Fred Newmeyer and
Sam Taylor |
USA |
20. |
The Phantom of the Opera |
1925 |
Rupert Julian |
USA |
21. |
Broken Blossoms |
1919 |
D.W. Griffith |
USA |
22. |
Der letzte Mann
[The Last Laugh] |
1924 |
F.W. Murnau |
Germany |
23. |
The Kid |
1921 |
Charles Chaplin |
USA |
24. |
Steamboat Bill, Jr. |
1928 |
Charles F. Reisner |
USA |
25. |
Ben-Hur: A Tale of the Christ |
1925 |
Fred Niblo |
USA |
26. |
The Thief of Bagdad |
1924 |
Raoul Walsh |
USA |
27. |
Flesh and the Devil |
1927 |
Clarence Brown |
USA |
28. |
Our Hospitality |
1923 |
Buster Keaton and
John G. Blystone |
USA |
29. |
Wings |
1927 |
William A. Wellman |
USA |
30. |
Chelovek s kinoapparatom
[Man With the Movie Camera] |
1929 |
Dziga Vertov |
USSR |
31. |
Nanook of the North |
1922 |
Robert J. Flaherty |
USA |
32. |
Faust |
1926 |
F.W. Murnau |
Germany |
33. |
Way Down East |
1920 |
D.W. Griffith |
USA |
34. |
Häxan
[Witchcraft Through the Ages] |
1922 |
Benjamin Christensen |
Sweden |
35. |
Das Tagebuch einer Verlorenen
[The Diary of a Lost Girl] |
1929 |
G.W. Pabst |
Germany |
36. |
The Unknown |
1927 |
Tod Browning |
USA |
37. |
The Cameraman |
1928 |
Edward Sedgwick |
USA |
38. |
The Circus |
1928 |
Charles Chaplin |
USA |
39. |
Show People |
1928 |
King Vidor |
USA |
40. |
Un chien Andalou
[The Andalusian Dog] |
1928 |
Luis Buñuel and
Salvador Dali |
France |
41. |
The Hunchback of Notre Dame |
1923 |
Wallace Worsley |
USA |
42. |
Dr. Mabuse: Der Spieler
[Dr. Mabuse: The Gambler] |
1922 |
Fritz Lang |
Germany |
43. |
The Four Horsemen of the Apocalypse |
1921 |
Rex Ingram |
USA |
44. |
The Sheik |
1921 |
George Melford |
USA |
45. |
Die Nibelungen
(including Siegfried and Kriemhilds Rache
[Kriemhild’s Revenge]) |
1924 |
Fritz Lang |
Germany |
46. |
The Freshman |
1925 |
Sam Taylor and
Fred Newmeyer |
USA |
47. |
The Mark of Zorro |
1920 |
Fred Niblo |
USA |
48. |
Tol’able David |
1921 |
Henry King |
USA |
49. |
He Who Gets Slapped |
1924 |
Victor Sjöström |
USA |
50. |
Girl Shy |
1924 |
Fred Newmeyer and
Sam Taylor |
USA |
51. |
The Wedding March |
1928 |
Erich von Stroheim |
USA |
52. |
The Man Who Laughs |
1928 |
Paul Leni |
USA |
53. |
The Lodger |
1926 |
Alfred Hitchcock |
England |
54. |
Seven Chances |
1925 |
Buster Keaton |
USA |
55. |
The Last Command |
1928 |
Josef von Sternberg |
USA |
56. |
Foolish Wives |
1922 |
Erich von Stroheim |
USA |
57. |
Orphans of the Storm |
1921 |
D.W. Griffith |
USA |
58. |
Sparrows |
1926 |
William Beaudine |
USA |
59. |
The Navigator |
1924 |
Buster Keaton and
Donald Crisp |
USA |
60. |
Zemlya
[Earth] |
1930 |
Aleksandr Dovzhenko |
USSR |
61. |
Tabu |
1931 |
F.W. Murnau and
Robert J. Flaherty |
USA |
62. |
Les Vampires |
1915-16 |
Louis Feuillade |
France |
63. |
The Student Prince in Old Heidelberg |
1927 |
Ernst Lubitsch |
USA |
64. |
Beggars of Life |
1928 |
William A. Wellman |
USA |
65. |
My Best Girl |
1927 |
Sam Taylor |
USA |
66. |
Cops |
1922 |
Buster Keaton and
Eddie Cline |
USA |
67. |
Der Golem
[The Golem] |
1920 |
Paul Wegener |
Germany |
68. |
Le Voyage dans la lune
[A Trip to the Moon] |
1902 |
Georges Méliès |
France |
69. |
The Son of the Sheik |
1926 |
George Fitzmaurice |
USA |
70. |
7th Heaven |
1927 |
Frank Borzage |
USA |
71. |
It |
1927 |
Clarence Badger |
USA |
72. |
The Lost World |
1925 |
Harry O. Hoyt |
USA |
73. |
The Kid Brother |
1927 |
Ted Wilde and J.A. Howe |
USA |
74. |
The Immigrant |
1917 |
Charles Chaplin |
USA |
75. |
Queen Kelly |
1928 |
Erich von Stroheim |
USA |
76. |
Oktiabr
[October] |
1928 |
Sergei M. Eisenstein |
USSR |
77. |
Cabiria |
1914 |
Giovanni Pastrone |
Italy |
78. |
Robin Hood |
1922 |
Allan Dwan |
USA |
79. |
The Docks of New York |
1928 |
Josef von Sternberg |
USA |
80. |
Stachka
[Strike] |
1924 |
Sergei M. Eisenstein |
USSR |
81. |
The Great Train Robbery |
1903 |
Edwin S. Porter |
USA |
82. |
Der müde Tod
[Destiny] |
1921 |
Fritz Lang |
Germany |
83. |
Speedy |
1928 |
Ted Wilde |
USA |
84. |
Sadie Thompson |
1928 |
Raoul Walsh |
USA |
85. |
Tess of the Storm Country |
1922 |
John S. Robertson |
USA |
86. |
A Woman of Paris |
1923 |
Charles Chaplin |
USA |
87. |
Dr. Jekyll and Mr. Hyde |
1920 |
John S. Robertson |
USA |
88. |
The Last of the Mohicans |
1920 |
Maurice Tourneur and Clarence Brown |
USA |
89. |
The Unholy Three |
1925 |
Tod Browning |
USA |
90. |
Mat
[Mother] |
1926 |
Vsevolod I. Pudovkin |
USSR |
91. |
The Cheat |
1915 |
Cecil B. DeMille |
USA |
92. |
Variété
[Variety] |
1925 |
E.A. Dupont |
Germany |
93. |
Die Freudlose Gasse
[The Joyless Street] |
1924 |
G.W. Pabst |
Germany |
94. |
Big Business |
1929 |
James W. Horne |
USA |
95. |
The Iron Mask |
1929 |
Allan Dwan |
USA |
96. |
The King of Kings |
1927 |
Cecil B. DeMille |
USA |
97. |
The Iron Horse |
1924 |
John Ford |
USA |
98. |
The Penalty |
1920 |
Wallace Worsley |
USA |
99. |
Stella Maris |
1918 |
Marshall Neilan |
USA |
100. |
Underworld |
1927 |
Josef von Sternberg |
USA |
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