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Twenty-Four-Dollar
Island

(1927)

 

Robert Flaherty directed this short film examination of the character of New York City. Of the film he said, “You understand that I am speaking of a film in which New York is the central character, not a picture in which individuals are portrayed, which would make New York merely the background of a story. I am talking about the picture in which New York is the story.”

We can assume that Flaherty was inspired by a viewing of Paul Strand and Charles Sheeler’s Manhatta (1921), as Flaherty’s choice of shots and subject matter seem to be closely following the inspiration of the earlier film.

Views of waterfront construction are combined with shots of boats and ships moving about in their daily industry. Views of bridges link the waterfront to the island’s internal construction activity. Workers toil amid shots of moving cranes and other heavy machinery. The cumulative effect represents the city’s ant-like scurry of daily activity. The results of this activity are represented in static shots of monolithic skyscrapers amid others of ships sweeping past a skyline of stone and cement.

High views of the city show us many buildings with steam venting from their rooftops and a shroudlike haze over the city so dense that in some shots nothing may be seen beyond 25-30 city blocks.

Almost shocking within the sequence of views of buildings and ships and construction is a shot of leaf-bare trees waiving in the breeze seen against a background of tall buildings, the first natural element among all the man-made monuments to man’s industry presented in the film.

Each shot in the film bears close examination on multiple viewings of the contemporary architectural documentation within the film for the modern historical and sociological value to be harvested today.

What is the cumulative effect of the film? It will mean different things to individual observers. Some will see the film as a condemnation of the unnatural and cold constructs of man. More will perhaps see it as a celebration of the incredible achievements of man. It is a New York City that, for modern audiences, exists no more yet somehow remains with us today amid the glass and steel monoliths.

Carl Bennett

coverKino Classics
2023 Blu-ray Disc edition

Silent Avant-Garde (1921-2022), black & white, color-tinted and color-toned black & white, and color, 188 minutes total, not rated, including Twenty-Four-Dollar Island (1927), black & white, 14 minutes, not rated.

Kino Lorber, K26157, UPC 7-38329-26157-3.
One single-sided, dual-layered, Regions ABC Blu-ray Disc; 1.33:1 aspect ratio picture in pillarboxed 16:9 (1920 x 1080 pixels) 24 fps progressive scan image encoded in SDR AVC format at 27.0 Mbps average video bit rate; DTS-HD Master Audio 2.0 stereo sound encoded at 1.6 Mbps audio bit rate; English language intertitles, no subtitles; no chapter stops (within the film); standard BD keepcase; $29.95.
Release date: 21 February 2023.
Country of origin: USA

Ratings (1-10): video: 9 / audio: 7 / additional content: 8 / overall: 8.

This Blu-ray Disc edition has been mastered at 4K high-resolution from the most-complete known version of the film, restored in 2022 from excellent 35mm film elements held by the Gosfilmofond archive of Russia and Eye Film Instituut Nederland. The clarity of this 2021 scan is remarkable. There is a wide range of greytones and shadows are far more open and detailed than in earlier home video editions. Framing is also a little more open here presenting the entirety of the images captured by Flaherty, with the rounded corners of the original camera masking visible throughout. The film is presented with new digital video intertitles.

The film is accompanied by a music score composed and performed on synthesizer by Donald Sosin. We think that the synthesizer emphasizes the unnatural aspects of the film — not unpleasant but perhaps a bit sad.

This is the best home video edition of this film that is available. This presentation is one of the highlights of the collection and it is an absolute pleasure to watch.

 
USA: Click the logomark to purchase this Regions ABC Blu-ray Disc edition from Amazon.com. Your purchase supports Silent Era.
 
This Regions ABC Blu-ray Disc edition is also available directly from . . .
Film Preservation Associates /
Anthology Film Archives
2005 DVD edition

Unseen Cinema: Early American Avant-Garde Film (1894-1947), black & white, color-toned black & white and color, 1127 minutes total, not rated, including Twenty-Four-Dollar Island (1927), black & white, 13 minutes, not rated.

Film Preservation Associates with Anthology Film Archives, distributed by Image Entertainment,
ID0592DSDVD, UPC 0-14381-05922-9.
One single-sided, dual-layered, Region 0 NTSC DVD disc (seven DVDs in the set); 1.33:1 aspect ratio picture in full-frame 4:3 (720 x 480 pixels) interlaced scan image encoded in SDR MPEG-2 format at 5.0 Mbps average video bit rate (capable of progressive scan upscaling to 60 fps); Dolby Digital (AC3) 2.0 stereo sound encoded at 224 Kbps audio bit rate; English language intertitles, no subtitles; chapter stops; seven slimline DVD keepcases in cardboard box; $99.99.
Release date: 18 October 2005.
Country of origin: USA

Ratings (1-10): video: 7 / audio: 7 / additional content: 8 / overall: 8.

Twenty-Four-Dollar Island (1927) is presented from the most-complete known version of the film, restored from excellent 35mm film elements held by the Gosfilmofond archive of Russia and Eye Film Instituut Nederland, with introductory titles taken from Flaherty’s personal notes.

The film is accompanied by a music score performed on synthesizer by Donald Sosin.

This edition is still recommended for collectors acquiring films on DVD home video.

 
USA: Click the logomark to purchase this Region 0 NTSC DVD edition from Amazon.com. Your purchase supports Silent Era.
 
Canada: Click the logomark to purchase this Region 0 NTSC DVD edition from Amazon.ca. Your purchase supports Silent Era.
 
This Region 0 NTSC DVD edition has been discontinued
and is . . .
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